Add advanced and secondary color correction tools, mastering tools, and the Boris Continuum Complete Lite effects pack with the Media Composer | Symphony Option for online editing.
In addition, Pro Tools | Software now includes the Avid Video Engine, enabling Pro Tools sound editors and mixers to play HD video of the latest Media Composer cuts directly in the Pro Tools timeline.Įdit with the exact tools you need by simply adding options for the workflows you want. Video Satellite is now included with Media Composer, enabling audio editors and mixers to play Avid HD and SD video sequences directly in sync with their Pro Tools session, while maintaining full system power. Streamline the video workflow with Pro Tools users You can also now make audio adjustments to any clip directly in the timeline independently of any track-based automation with the Clip Gain control. With the new Master Audio Fader, you can insert RTAS plug-ins to tweak tones and optimize the overall program loudness, making broadcast regulation adherence quick and easy. What’s more, you can edit just as efficiently as you would if you were all at the home facility, using the same tools and workflows you know and trust.įorget wasting time mixing down audio levels by trial and error. Media Composer enables you to connect to Interplay | Production systems through Media Composer | Cloud (formerly Interplay Sphere), making remote cloud-based collaboration easy and cost-effective. Plus, you’ll get peace of mind as Media Composer now fully manages AMA-linked media as reliably as it does with native Avid media.Įdit and collaborate remotely in real timeĮdit, share, tag, track, and sync media and projects with everyone on your editing team-no matter where you are in the world. With Dynamic Media Folders, noncreative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow.
Gain more time for creativity with new features that accelerate and simplify file-based workflows. In addition, 1D/3D Look Up Tables (LUTs) and Color Decision Lists (CDLs) make it easy to perform real-time RAW and LogC to Rec. With the new FrameFlex tools, you can immediately start working in HD directly from high-res sources and maintain full creative control of the image reframing and keyframing, from beginning to end. More content today is shot with high-res cameras, but the majority of programming is still HD.
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